A dram in the morning

Over the last decade I have read a lot about whisky. About the production process, the background and history of distilleries and (semi)scientific writings about which molecules have which influence during fermentation and maturation. In many whisky books and magazines you can read interviews with distillery managers and blenders and such. Always someone with a good nose and palate who can wax lyrically about their whisky. What they always say is that your palate is best at the end of the morning, right before lunch.

highland-park-valkyrie-whiskyI always taken for granted that this is true, because their experience vastly trumps mine, and because it makes sense. Generally, apart from a cup of coffee, it’s been hours since you ate something, and you’re not too tired from the day’s doings. Good arguments, but (apart from at Maltstock) who drinks whisky in the morning?

Last summer I visited De Whiskykoning in Den Bosch during a morning I spent on my former home turf. I walked in right after he opened the front door. It was about a quarter past eleven when the owner of the shop, Rob Stevens, offered me a dram of something new that he really liked. The Highland Park Valkyrie, in this case.

I was a bit skeptical because it was rather early still, with a full day ahaed of me. Also, official and affordable Highland Parks haven’t been something to write home about over the last couple of years. Worse, even the quite a bit more expensive ones aren’t that good either (cough, enter random nordic sounding thing here). It felt a bit weird to have a whisky before lunch. On the other hand, I’m Dutch, so I am not wont to decline a free drink like that.

It turned out to be a rather light whisky, but with quite some scents and flavors to be discovered. I realized that a whisky like this would not work as a digestive or later at night, it’s a bit too light for that. This whisky will not be strong enough to overcome the barrage of flavors that linger after dinner. Also, during a tasting or something like that, it should be the start of the line up.

20170914_152721After coming to grips with enjoying a whisky on a ‘work day’ like that, I started to understand why, right before lunch like that, is a great moment for tasting certain whiskies. The arguments from blenders and distillers are correct. Not that I doubted them, but I prefer to get empyrical proof of these things myself.

A few days later, I had an old Dalwhinnie in the AM. Old as in, it was the regular 15 year old but a bottling from the early nineties. I experienced the same thing again. A very light dram that is a lot better without any ‘palate pollution’.

Obviously I’m not trying to tell you to change your routine by swapping coffee for hard liquor, but I did think this was a very interesting experience. It’s a very different approach of drinking a whisky, which a very different result of doing it ‘normally’.

A counter argument for this is, obviously, that a whisky that won’t stand up to an influenced palate at the end of the day is not a whisky that you should buy to drink in the evening. However, that Highland Park was flavorful enough to be enjoyed at the campfire during a recent camping trip. Not a whisky that demands attention, but one that’s just ‘quite good’ and very tasty.

At some 70 euros, it is a bit expensive for ‘quite good’, but I bought it anyway, after trying it before lunch. The bottle design helps. I didn’t read the nonsensical backstory that has nothing to do with the whisky, but first impressions count, and it looks gorgeous.

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Strathisla 25, 1989, 56.1% – SMWS (58.15 – Gravitas in a Glass)

I think that virtually all whisky lovers I’ve ever met agree on the fact that old Strathisla is a great thing. Those sherry casks that were mainly bottled by Gordon & MacPhail with their retro labels are stunning drinks, with a lot of weight and depth, and sometimes funky flavors.

See how I wove weight and depth into that opening? You know, ‘gravitas’?

Aaaaanyway… A 25 year old popped up several years ago in a bottle share group I’m in and at a decent price I thought to pick it up. I don’t remember whether I knew it was a bourbon cask instead of the somehow more expected sherry version, but what the heck.

Of course, this being an SMWS bottling, the name makes little to no sense, but with a name like this, it does presume something good.

There’s quite some oak on the nose, but the mountain of vanilla and custard trumps it. Apart from the white oak that’s rather clear on the nose, there’s also pancakes with golden syrup. It’s not very complex at all.

The palate isn’t overly sharp, with some alcohol bite but the quarter century in wood mellowed it. Again, lots of vanilla and custard, with a reasonably heavy profile. Oak, a bit of an oily texture, and those pancakes with syrup again.

The finish is a bit more dry than the palate was, but there’s nothing else that’s surprising. Lots of wood, even more vanilla custard. Pancakes and syrup. Maybe some apple crumble?

Well, if the gravitas refers to the heavy and thick custardy profile of the whisky, it’s spot on. Apart from that, this must be one of the more boring whiskies I’ve had this year. There’s nothing exciting about this oak juice. There’s no spirit influence left, I think, and that makes this a prelude of what’s to come if homogenization keeps ramping up like it does.

Having said that, and I know this is going to sound weird, this is not necessarily bad whisky. It’s just insanely boring and predictable. It’s not disgusting, it’s not off. It’s just that there’s nothing to discover apart from heaps and heaps of vanilla (and custard).

It’s almost like the folks who reviewed it on Whiskybase had a completely different dram than I did…


Strathisla 25, 1989, 56.1%, SMWS, 58.15 – Gravitas in a Glass

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Old Pulteney 2004-2018, Cask 128, 62.1% – OB for The Whisky Exchange

Old Pulteney is an underrated distillery, in most cases. People now know that older versions, like the 1990 or 1989 that won Jim Murray’s Best Whisky thingy, are good, but there’s a lot more that’s good from the Wick distillery.

I dare say that even the regular 12 year old is a rather cracking dram. Especially since you can sometimes get it at a discount for about 25 to 30 euros. That’s awesome value for money right there.

A little while ago The Whisky Exchange released this 2004 one. Obviously matured in a sherry cask, a butt most likeley since there are over 600 bottles drawn from the cask. When I got an email announcing the imminent delivery of a sample of it, the bottle had already sold out.

You know, a good distillery, plus cask strength, plus single cask, plus sherry means quick sales, generally. This was no exception, and after tasting it, I understand why.

There’s sherry on all fronts. Fruit, dry and old oak, and spices. It’s a dry whisky, rather coastal on the nose. Hints of salt water, flint and slate. Lots of peaches and plums, apricot jam and even cigars and tobacco leaves.

The palate is unsurprisingly sharp, but tastes more like a high fifties ABV than over 60 percent on arrival. It does start biting slowly and lightly smashes your palate. Lots of sherry, some oak, lots of fruit. Apricot jam, plum jam, slightly bitter and salty. Rather sweet, as indicated by the jams.

Generally, whiskies like this mellow quickly on the finish, but not this one. This one keeps biting and kicking for a while. It’s long with lots of fruit and sherry. The coastal notes stay present with salt and slate. Rather heavy with cigars and leather. Lots of deep and big flavors.

Summarizing, this is a biter. It’s very strong, but not nonsensically strong. The fruit and dryness of the sherry shine through throughout tasting the whisky and that’s really gorgeous on top of Old Pulteney’s coastal spirit. There’s a lot going on, and even at full strength you get a lot of different flavors. I expect this one can handle a drop of water, though.

In short, it’s right up my alley, and I should pay more attention to the distillery in general.


Old Pulteney 2004-2018, Cask 128, 62.1%, OB for The Whisky Exchange. I believe it used to be available at The Whisky Exchange for around 100 pounds.

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Croftengea (Loch Lomond) 2008-2018, 9yo, 54.8% – OB for The Whisky Exchange

The Whisky Exchange have been bottling some nice stuff over the last couple of months. The most recent one, apart from this Croftengea, is an Old Pulteney from 2004, which I *just* realized I haven’t reviewed yet. Shame on me. Luckily they don’t need my post for selling it since it was sold out before I even got the sample. (I’ll review it soon, I promise)

Now, they’ve gone and bottled a Croftengea. Where is that, you ask? It’s one of the brands from Loch Lomond Distillery in Alexandria, just above Glasgow. This brand is their heavily peated one, where Inchmurrin and Loch Lomond are unpeated, and Inchmoan is lightly peated. If I am not mistaken, this is made the same way as Inchmurrin in regards to distillation process, but I’ll not bore you with that here.

So, a heavily peated single malt from a distillery that’s making waves by suddenly releasing a lot of much better whisky than they used to. Rather interesting, if you ask me. Just a shame the price of their bottles has caught up with the market too. Can’t blame them, but I prefer things cheaper, if possible…


The ‘heavily peatedness’ of this whisky isn’t as heavy as I expected. There’s definitely some smoke there, but it’s not a punch to the jaw like some Ardbegs have. The peat is more of a highland style than it’s like Islay whiskies. There is a hint of salt, but apart from that it’s more a woody, plant like smoke instead of seaweed and moss. I get some thick and heavy pastry cream and milk. A tiny hint of some lemon zest too, with quite some oak.

The palate is tingling with some chili pepper heat. Quite some oak again, with some wood smoke and charcoal. I get some malted barley and light citrus, some smoke and burned wood. Grass and straw, milk and vanilla. Slightly salty again. Maybe some cured ham too?

The finish is a bit warmer than the palate was, and a bit dryer too. The smoke is a bit more gentle, with less vanilla than before. There’s still oak, some lemon and milk.

It’s always interesting to see what a distillery claims to be heavily peated. In some cases it’s insanely peated (Bruichladdich), in other cases it’s slightly more peated than they normally do, and in others there’s a whiff of peat which is only heavily peated because all their other stuff is completely unpeated. In this case, I think it’s more or less in the middle. It’s not as heavy as some Islay whiskies, but it’s definitely more peated than the majority of the mainland whiskies, and Loch Lomond’s other products.

Anyway, the whisky itself is rather tasty. There’s quite some different flavors going on and even though I think it’s a rather light whisky, it does have that charcoal, thick peat smoke and cured meat thing going on.

I rather like it, especially for a whisky that’s only nine years old. I had expected there to be less wood influence and more spirit, but the balance between those two is rather well done. A good whisky, for a good price!


Croftengea (Loch Lomond) 2008-2018, 9yo, 54.8%, OB for The Whisky Exchange. Available from The Whisky Exchange for 80 euros/70 pounds.

Thanks to The Whisky Exchange for the sample!

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Longrow 2001-2016, 14yo, Fresh Sherry Butt, 53.2% – Springbank Society

It’s not very often that I go through my own bottles at a rapid pace. But somehow, with sherry casks from the Springbank Society that never seems to be a huge problem. In this case it only took a while because I had quite some bottles at a lower fill level sitting in front of it, both physically and in the drinking-queue.

I’ve been a member of the Springbank Society for, I think, about ten years now and almost all the bottles I’ve bought and tasted have been great. There is the odd one out, every now and then (cough – Longrow Chardonnay Cask – cough) that is just too weird and doesn’t work, but most of the time, it’s a blind buy and a happy one.

Also, Longrow and sherry casks. Can’t go wrong there, can we?

Lots of oak on the nose, and lots of sherry too. Not timid at all! Quite some fruit with plums and dates leading the way. Some smoke, but less than expected. Ashy with a tiny hint of rubber and leather. Not unlike Allstars sneakers, somehow.

The palate starts of a bit sharper than I would have thought at 53.2%. There’s wood and ash and charcoal at first, but soon the sherry comes shining through. Dry and fruity, with the brand’s typical salty basalt and grassiness.

The finish is dry and sweet, with plums and dates. Salty smoke with that hint of rubber and leather again. Sherry and oak too.

Honestly, if you’re looking for sherry and peat there are a few brands that spring to mind immediately. Port Charlotte and Bowmore are two of them. The third is Longrow. This one fits the bill perfectly and it’s a slightly dirty sherry and peat showcase. Everything I love about Longrow, in short.

Especially the varieties of oak, with the wood, the ash, smoke and charcoal coming through works very well with the dryness and fruit of the sherry. A great combination.

It might not be as complex as some others, but I can’t give it anything else than


Longrow 2001-2016, 14yo, Fresh Sherry Butt, 53.2%, Springbank Society. Currently available in Germany for 279 euros

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Glen Scotia, 2018

Around September last year I posted on Facebook, asking for tips for me and my friend FV to spend an afternoon and evening in Campbeltown. While I did get some way-too-obvious things, like Springbank and Cadenhead’s, I also got the tip to visit Glen Scotia.

Even better, Donald MacLellan, an International Sales Manager for the Loch Lomond Group of which Glen Scotia is a part, said we couldn’t not visit Glen Scotia. The ‘we don’t have time to do everything’ excuse didn’t fly. “You drive 500 miles to visit Campbeltown, you’re not telling me you don’t have time for the last 200 meters”.

Even better yet, he told me we could also visit outside of regular visiting hours, going as far as shouting 24/7 at some point. Easy for him to say, he wasn’t the guy welcoming us in his spare time!

After a while we had set up a date with Callum Fraser to visit the distillery at 8pm, so we could have dinner first and cool down a bit after the Cadenhead’s Warehouse tasting.

When I visited Campbeltown in 2010 Glen Scotia wasn’t a pretty sight. Walls and fences made sure you didn’t feel too welcome, and it also didn’t look like there was any love lost in keeping the place neat and tidy. A lot has changed since then.



Now you see a mid-town distillery that’s nicely painted, on a tidy plot that’s nicely kept. Also, there’s a visitor center now at which Callum was waiting for us just when the sun was setting over Campbeltown.

We started with a tour, which skipped most of the regular numerical information and official script. We just walked around and Callum pointed out some things that were irregular or different from most distilleries. We had a nice chat with David, the mashman, about some distillery quirks, and we got to see all the technology for the grain stores. All the technology in this case is a binder with some scribbles in there to see which silo contains what, and which washback was filled when.

David turns out to a guy with a can-do-attitude, based on Callum’s stories. Apart from finding it rather ridiculous that there’s a bottling in his honor, he mashes, but also knows how to run the stills and do maintenance on most of the equipment in the distillery.


20180412_201618In the stillroom we had the chance to talk to Sean, the stillman, for half an hour or so. The stills were coming on steam while we were there so there was a bit of a gap in his schedule to talk to us. It’s great to see a real craftsman at work with manual controls over the stills and someone who is so familiar with the equipment that most of what needs doing is triggered by sound and sight instead of all kinds of analog and digital equipment.

We unfortunately couldn’t do the warehouse tasting since the warehouse manager had already gone home and locked up after himself, as he should. Callum made up for this by pouring quite a few amazing drams in the tasting room, though.

We tried the Glen Scotia 18, the Mashman’s Reserve (2001), I believe there was a 16 year old bourbon cask there too. After the other 11 year old Single Cask (2005) we made a small sidestep to the official 27yo Littlemill. I didn’t see that one coming, but damn that’s good!

20180412_203637By this time it was already around 9.30pm and with a full day of driving from Campbeltown to Newcastle for the ferry, we decided to call it a day and do some last minute shopping for back home (Irn Bru, Gingernuts, a cake for the kids).

This tour, which was 100% off the beaten path for tours as I know them, was an absolute stunner. Talking to the people who make the stuff you like to drink, and getting to know some of the quirks of their craft and their distillery, with a host as awesome as Callum, this was an epic end to our Scotland trip!

Thanks a million to Donald, Callum, David and Sean for being great guys! Glen Scotia went up many notches in my book…

Of course, being the enthusiastic geek that I am, I forgot to take proper pictures, of the people and such. So just a few random shots of the distillery are all I have…

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Love and hate for Lagavulin

That’s some title, isn’t it? Hate is quite overstated, but I have to lure unsuspecting readers in some way, don’t I?

Anyway, the third and last distillery we toured while on Islay a few weeks ago was Lagavulin. I did the tour back in 2010 as well, on my first trip to Islay and Scotland. The tour was followed by the Warehouse Demonstration. Back then they only did this on Thursdays, while it’s been amped up to every weekday now.


My love for Lagavulin started really early in my whisky drinking days when my father-in-law bought the regular 16 year old, based on Jim Murray’s 92 points for it. Ever since I have absolutely loved every expression I tasted, with an exception for the eight year old that’s been on the market for the last two years. Compared to their other expressions, that stuff is peated water to me. It lacks the depth and complexity that makes the whisky so great in other expressions.

However, that’s not what the charged title of this post gets it’s ‘hate’ from.

Back in 2010 I found the distillery tour at Lagavulin only so-so. I had done some tours by then (Glengoyne, Arran, Springbank, Bowmore, Ardbeg and, I think, Laphroaig). Then the distillery that has a huge name to live up to does such a pedestrian tour, it’s a disappointment. I remember it more as a ‘quick look’ tour in which things were tuned to explain whisky making to the absolute novice instead of going a little bit more in depth and getting to know the distillery better.

When we visited this year, I warned my friends for this. We really wanted to do the warehouse demonstration, though, so we booked the tour anyway. We shouldn’t have. Unless you’re very keen on ‘still spotting’, Lagavulin is not a distillery for a tour.


Back then, we could walk around the premises a little bit for a picture and a ‘feel’ for the distillery. Even that has been taken down to ‘we’re walking to the warehouse wall with the letters on it and will be going back to the visitor center in five minutes’. A lot of numbers are thrown around in regard to washback sizes, mashtuns and their waters, still sizes, but I find myself very short on fucks to give about these exact numbers. I want stories, history, tales about quirks that make Lagavulin stand out from everything else.

There’s none of that to be found.

20180411_104516.jpgThen, after the tour, if you booked it right, you get to do the Warehouse Demonstration. Not sure why it’s not called a Warehouse Tasting, but that’s what it is. A tasting more often than not done my Iain McArthur. That wee man is an absolute legend!

After a couple of minutes with him in the warehouse, the whiskies don’t really matter anymore. He’s hugely entertaining and picks up the slack from the tour. There’s history about him, the island, Lagavulin and everything. He jokes around, makes fun of the participants and himself. And he also happens to pour some of the most amazing drams.

As with everything on our trip, I didn’t take notes, but I remember the 20 and 25 year old whiskies, both from sherry casks. The 20 was a bit more vibrant and upbeat where the 25 was already becoming an older gentleman. Timid, even. Then there was a cask sample from a 1982 cask. Back in the slender years when distilleries only operated a few days per week and lots of them were on the verge of closing. Now THAT is a 20180411_121112.jpgwhisky. The peat is toned down and the wood is turned up, but the complexity is vast and the ‘ancientness’ of it was more akin to whiskies from the sixties and seventies. Damn…

As you might expect, everything is forgiven after a tasting like that.

Just keep in mind that when touring Lagavulin, you’ll be getting the tourist tour. I wouldn’t go as far as calling it a waste of time, but there’s other things to do on the island, like walking up to and climbing the remains of Dunyvaig Castle.

Now, where’s that bottle of amazing Distillery Only they had?



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